occasionally found frolicking
Audiovisual Work, 2024
Soundtrack, 2024
Electroacoustic Performance, 2023
Documentary Soundtrack, 2022
Seascape
Audiovisual Work, 2024
I’ve collaborated with my Mom!.
Seascape is a reflection of the ways in which the sea has and continues to influence the lives of those inhabiting its bounded lands. It is an ode to the ecosystem, both local and global. It alludes to the web of human relationships that hold our fragile ecology together; the engraved and printed nets emerge through the natural beauty of the sea and the flow of its waves. The crowds of humans who weave their own uncertain journeys across the Mediterranean are also part of this narrative.
The sound similarly explores this reflection; a dialogue seems to exist between the wind instrument and wind itself, between the natural sound of waves and the aquatic, submerged world. This dialogue appears to break down, eroded by the will of the wave, signalling an emergent need to extend our boundaries of thought. The viewer is invited to expand their framework of care, extending it to other humans and perhaps even non-human entities and environments.
You can find Seascape on Evgenia’s website https://www.evgeniavasiloude.com/
or
You can listen to the original sound here ⏬ (headphones recommended!)
The Descent
Soundtrack, 2024
Directed by Holly Lawrenson Evans
Length: 5 minutes
For this project, I worked closely with the director to create a unique and immersive soundtrack.
I used a combination of syntehsis techniques in addition to sound recording. !TODO: Document Creative Process
Playing it Cool
Electroacoustic Performance, 2023
Live Electroacoustic performance inspired by this cigarette commercial from the 80s; allegedly one of the last ones to ever air on television or in cinemas.
Photo Credit: Overelated
Confronting Death
Documentary Soundtrack, 2022
A poetic documentary exploring what people think about death, and how they feel about it. Filmed during the March 2020 lockdown, accompandied by interviews conducted in the months following.
Directed and Produced by Holly Lawrenson Evans
Length: 20 minutes
I wrote the bulk of the music for Confronting Death on the remote, largely uninhabited island of Kato Koufonissi, the smaller of two islands that is part of the Small Cyclades Group in the Aegean Sea. I was the guest of my then-partner’s grandparents, who over the years built a charming house near the Northen Tip of the rocky island. When I listen to the music I wrote during this time, I am reminded of the deep blue colors of the sea, the taste of salt on my skin, and the smell of tomatoes vine.
Later, I mixed everything in one of the basement studios at the Reid School Music. This room, the so-called Russolo Room.
Here or on Soundcloud ⏬
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I’ve been playing saxophone for 17 years. I enjoy playing many styles of music and can improvise as well as read music.
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As a professional composer and producer specializing in screen music, my workflow is versatile and flexible, allowing me to be involved in all stages of production. From initial concept development to final post-production, I offer a seamless and collaborative approach to composing for screen projects. Get in touch to discuss how I can bring your vision to life through music.
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